817DØaKoXw 4,5,6,7hn-f-Ifpw D≈-Xn-t\mSv Ahsf D]-an-®n-cn-°p-∂p.4:16 Imhy-`m-j-bn¬ Ahƒ Ah-t\mSv h∂v Xs‚tXm´sØ kz¥-am-°p-hm≥ ]d-bp-∂p.5:1a iqteanbpsS £W
818t\m-sSm∏w \S-°p-∂-Xpw, AXn-Im-eØp ap¥n-cn-tØm-´-Øn-epw, amX-f-\m-c-I-Øn-s‚-SØpw t]mIp-∂Xp ap∂n¬ImWp-∂p. Aßs\ ZqZm-bn-]gw ]gp-Øn-cn-°p∂ {KmaoWA¥-co-
819vintagers’ song or at least a fragment of one” andsays that all the commentators of hi time who are notallegorists are settled on this (“Song of So
NOTES
DØ-a-KoXw
810
811DØ-a-KoXwBapJwI. Imt\m-\nse AXp-ey-amb ÿm\wsblqZm hymJym\w CXns\, ""G‰w {]iw-kn-°-Ø-°, G‰w t{ijvT-am-b, G‰w `{Z-amb ]m´v'' F∂p
812DØ-a-Ko-X-Øn¬ ]d-™n-cn-°p∂ ÿe-߃
813DØaKoXw 1hymJym-\n-°p-∂-Xv. thZ-]p-kvX-I-Øns‚ Hmtcm A≤ym-b-Øns‚ Xe-s°-´nepw Cu hymJym\w ImWmw.AXn≥{]-Imcw item-tam≥ {InkvXp-hn\p {]Xo-Ihpwiqtean k`
814XIII. item-tam≥ Xs‚ A\p-cmKw ho≠pw Adn-bn-°p ∂p(6:4˛10).XIV. A{]-Xo-£n-X-amb coXn-bn¬ sIm´m-c-Øn¬ h∂Xp sbcp-itew ]p{Xn-am-tcmSp hnh-cn-°p-∂p(6:11˛7
815DØaKoXw 1,2I. Xe-s°´v (1:1) DØ-a-KoXw item-tam-t‚-sX∂p ]cn-N-b-s∏-Sp-Øp∂p; item-tam-s\-Ip-dn-®p-≈-sX∂p A¿∞-am-°mw.II. item-tams‚ kZ-n-ep≈ iqteanX
816DØaKoXw 2,3,4hkvXp-h-√, Xmt\ Df-hmbn h∂v kzX-{¥-ambpw\njvIf¶ambpw D≠m-tI-≠-Xm-Wv.'' bn{km-tb¬ Cu\nkm-c-\n-baw A\p-k-cn-®n-cp-s∂-¶n¬ btlm-
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